At present, artwork is not available for direct online purchase. Because many collectors request custom sizes, framing options, or location-specific shipping arrangements, we prefer to discuss each project individually and recommend the most suitable solution.

IteArchival giclée prints are museum-quality pigment prints produced using archival inks and fine-art photographic papers. When properly displayed and cared for, they offer exceptional colour fidelity and longevity, making them suitable for both private and institutional collections.m description

Standard edition sizes are:

• 24 × 24 inches - editions of 12

• 40 × 40 inches - editions of 6

• 60 × 60 inches - editions of 3

The 60-inch edition is limited primarily by the maximum output size available from most professional printers.

Custom sizes are available. A custom 36-inch print, for example, would count toward the 40-inch edition and be priced accordingly. Likewise, a 30-inch print would count toward the 24-inch edition. Artwork is valued according to edition structure rather than by square inch.

Yes. Custom sizes, presentation methods, and select media options are available.

Many collectors have specific requirements related to scale, framing, or installation. We are always happy to discuss custom solutions. Additional production costs associated with customization are the responsibility of the purchaser.

Please note that colour fidelity can vary slightly between media. The work is primarily designed to be printed on archival photographic paper, which remains our preferred presentation method.

The preferred presentation is an archival giclée print professionally framed using conservation materials. Glazing options may range from standard glass to museum-grade gallery glass with UV protection and reduced glare.

Alternative presentations may also be available, including:

• Dye-sublimated aluminum panels

• Acrylic face mounting

• Dibond mounting

Dye-sublimated aluminum can produce exceptional colour and depth, while acrylic face mounting creates a contemporary presentation. However, acrylic surfaces can be susceptible to scratching and may not be suitable for public or institutional environments.

For larger works, acrylic glazing or museum-grade plexiglass may be recommended instead of traditional glass.

Yes. One of our long-standing goals has been to present selected works in their true circular form rather than within a square composition.

Certain professional production partners can mount the artwork to Dibond and precisely cut the finished piece into a circular shape. This creates a striking sculptural presentation while preserving the integrity of the image.

Please note that larger Dibond and acrylic-mounted works can become quite heavy and may require specialized installation.

We work with trusted professional printing partners, including:

• Toronto Image Works

• WhiteWall North America

• Akasha Art Projects

Additional production partners may be used depending on location and project requirements.

Delivery options depend on the chosen medium, dimensions, framing requirements, and destination. For collectors in North America, production and shipping can generally be arranged through Canadian partners. For European clients, local production may be arranged whenever practical to reduce shipping costs and transit risks.

For established clients and repeat collectors, invoices are generally issued directly.

For first-time purchases, a 25% non-refundable deposit is required to cover production and shipping costs. In many cases, arrangements can be made for the artwork to be inspected at the printer's location prior to final acceptance.

The work is never offered at sale prices.

Maintaining consistent pricing protects the integrity of the editions and respects previous collectors who have acquired work at established values. While pricing may increase over time, there are currently no planned increases.

Trade discounts are available to qualified interior designers and design professionals. Please contact the studio for details.